- published: 23 Apr 2015
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Full-length Artifact Part II. Choreography: William Forsythe Ballet Frankfurt, Sadler's Wells, London, 2001. Couples: Dana Caspersen / Fabrice Mazliah, Amy Raymond / Thierry Guiderdoni. Music: Chaconne in D Minor, Johann Sebastian Bach, played by Nathan Milstein.
a portion of Ballett Frankfurt's "In the Middle Somewhat Elevated" starting from the female improvisation line, lead couples pas de deux improvisations, big walking line with solo, into lead ladys (Laura Graham) solo.
Finale of The Loss of Small Detail. Choreography: William Forsythe. Ballet Frankfurt. Music: Thom Willems Costumes: Issey Miyake Dancers: Yoko Ando, Christine Bürkle, Dana Caspersen, Veronique Gaillard, Thierry Guiderdoni, Jill Johnson, Demond Hart, David Kern, Prue Lang, Fabrice Mazliah, Anthony Rizzi, Richard Siegal
some sections of the first act of William Forsythes Kammer/Kammer, which means room/room.Is a film being made live and there is nothing like seeing the show live. but well u get the idea. is very sensual and sad show about unrequited love. this is a performance when done on tour in antwerp belgium. the actors are dana casperson and myself, antony rizzi.
Short excerpt from Artifact Part II. Choreography: William Forsythe Ballet Frankfurt, Sadler's Wells, London, 2001. Couples: Dana Caspersen / Fabrice Mazliah, Amy Raymond / Thierry Guiderdoni. Music: Chaconne in D Minor, Johann Sebastian Bach, played by Nathan Milstein.
► Sub now: http://redirect.bundesliga.com/_bwBd There was a moment to put a smile on your face ahead of Eintracht Frankfurt’s game against Hertha Berlin. It almost looked like a ballet lesson when the referees went through their warm-up… The Official Bundesliga YouTube channel gives you access to clips from Germany's football league that you won't find anywhere else. Visit us at www.youtube.com/bundesliga to see what all the noise is about! Subscribe now! http://goo.gl/MuJEUZ - - For all the latest news please head to http://www.bundesliga.com!
La Dresden Frankfurt Dance Company basa su baile en el virtuosismo técnico. Su director, Jacopo Godani, controla sus producciones hasta el último detalle, desde la coreografías hasta el vestuario. En el Festival GREC de Barcelona presentan "Metamorphers", una pieza basada en el "Cuarteto de cuerda número 4" de Bela Bartok
An in-your-face-ballet with high attitude and techno-flavored sound. Choreographer: William Forsythe. Dancers: Amy Fote and Ian Casady. Don't miss Modern Masters, May 22 - June 1. http://www.houstonballet.org/Ticketing_Schedule/Season_Calendar/Modern_Masters/
parts of the first act of a crazy mad musical by william forsythe and eva crossman hecht with the frankfurt ballet. a story of a secretary being tricked into joining a fake ( bad) musical.
For DFDANCE CO
after the final performance ( in paris) of the world famous and fabulous and creative and fun and inspiring and ground breaking frankfurt ballet under the direction of william forsythe. it was a fabulous 19 year roller coaster ride i and around 150 others that passed through there.
second act ,,,sections of. a wild and mad musical from william forsythe. kind of backwards and often sideways.
a few sections from the second act of kammer/kammer by william forsythe danced by the frankfurt ballet....on tour in antwerp. on and on and on the beat goes !!!!!!
Maria Kowroski discusses how this Balanchine classic is, at its root, the story of a relationship. Agon translates as “contest” in Greek, and the ballet’s central pas de deux is a back-and-forth conversation between a couple, manifested in physical form.
Information: http://ballettfrankfurt.com Wie entsteht Tanz? Wie entsteht ein Ballett? Was bedeutet den berühmten „Nussknacker“ auf die Bühne zu bringen? Zum 125-jährigem Jubiläum der Uraufführung vom Ballett "Der Nussknacker" 1892 in Sankt Petersburg, schickt das Junior Ballett Frankfurt ihr Ballett als Botschafter in der Kunstwelt. Das Publikum bekommt die Möglichkeit eine Reise in die Welt des Tanzes und der klassischen Musik zu unternehmen. Eine Wir wollen eine weihnachtliche Tradition - "Der Nussknacker" in Frankfurt einführen. Dafür brauchen wir Ihre Unterstützung. Die Premiere hat am 3 Oktober 2017, im Capitol Theater Offenbach stattgefunden. Weitere Aufführungen sind ab 2018 geplant. The Junior Ballet Frankfurt has presented on 3.10.2017 ballet “Nutcracker” in the Capitol T...
the last act of the musical, isabels dance by william forsythe and his fantastic company. roxy is finally at the finale of this fake and mixed up musical. but no one can remeber. is it ...amnesia?
The Second Detail Хореография, сценография, свет, костюмы — Уильям Форсайт Ассистент хореографа — Ноа Гелбер Композитор - Том Виллемс Балетная труппа Пермского театра оперы и балета
Welcome to our PLACES livestream episode #14 at Ballettschule Frankfurt am Main! Big thanks to Oksana Hoffmann! ► https://www.facebook.com/ballettschulefrankfurt ► http://www.ballett-schule-frankfurt.de/ ► Full Set version out for download & stream: Spotify: http://bit.ly/Places–PhilippWolf | Soundcloud: http://bit.ly/Places-SC ► Subscribe to Philipp Wolf: http://bit.ly/PW-Subscribe ► Click ♥ like and follow, if you like this musical journey ☛ more on: https://www.facebook.com/places.journey https://soundcloud.com/places-music ► Follow Marko Roth: https://www.facebook.com/MarkoRothPro... https://www.instagram.com/markoroth https://www.youtube.com/markoroth http://markoroth.com 1. Indigo (feat. Jono McCleery) - Maceo Plex 2. Heroes of Light (Jerome Isma-Ae & Alastor Remix) - Wellen...
Acclaimed Canadian choreographer Crystal Pite creates her first work for The Royal Ballet. Find out more at http://www.roh.org.uk/mixed-programmes/the-human-seasons-after-the-rain-new-crystal-pite Canadian choreographer Crystal Pite has been acclaimed as ‘one of the most talented and intriguing choreographers working today’ (New York Times). She danced with Ballet British Columbia and then with William Forsythe’s Ballett Frankfurt, before founding her own company Kidd Pivot in 2002. Pite’s work shows the influence of Forsythe’s groundbreaking style but heightened with a new lyricism and a recurrent interest in the role of narrative in dance. ‘Ultimately my interest in story has to do with connecting to people’, she told The Telegraph in 2014. ‘Everybody is looking for a story.’ Pite is p...
Beit Frankfurt 02 juin 2014
More films about Russian ballet: https://rtd.rt.com/tags/ballet/ The Russian Ballet ensemble continues their tour of Germany. Anna can’t wait to enjoy her day off, but all of a sudden she’s required to join the dancers in “Swan Lake”. To add to her disappointment, she discovers that she won’t be dancing the leading role. On the bright side, she and Vladimir – her boyfriend and dance partner – finally get a chance to take a stroll around a German city. It’s a luxury their schedule doesn’t normally allow for. They enjoy the quaint beauty of Chemnitz before the team heads off to Frankfurt. Meanwhile, Dmitry learns that his baby daughter, whom he hasn’t seen for two months, has taken her first steps. He’s upset to have missed this important milestone in his child’s life. On top of this dist...
Introduktion – Der Feuervogel und sein Tanz – Reigen der Prinzessinnen – Höllentanz des Zauberers Kaschtschej – Wiegenlied – Finale ∙ Open Air Konzert 26. August 2015 auf der Weseler Werft Frankfurt am Main ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Andrés Orozco-Estrada, Dirigent ∙ Website: http://www.hr-sinfonieorchester.de Facebook: http://www.facebook.com/hrsinfonieorchester
Director David Bösch, conductor Gianandrea Noseda and members of the cast explore the music and history of Verdi’s great Romantic opera. Find out more at http://www.roh.org.uk/trovatore Prior to opening night, director David Bösch will discuss his new production of Verdi's great Romantic opera, alongside conductor Gianandrea Noseda. The event will also feature performances from cast members Željko Lučić and Marina Prudenskaya, while former ROH Writer-in-Residence Sarah Hibberd will provide a historical overview of the work. Verdi wrote Il trovatore hot on the heels of Rigoletto, and its premiere came a scant two months before that of La traviata. But Il trovatore, while no less popular than its neighbours, is quite different. Verdi himself had suggested the source material, Antonio Garc...
Join the cast and creative team for a glimpse behind the scenes on Barrie Kosky's hotly-anticipated new Royal Opera production. Find out more at http://www.roh.org.uk/carmen Featuring members of the cast and the creative team, the event will feature performance extracts of Bizet's well-known opera, as well as interviews with director Barrie Kosky, conductor Jakub Hrůša and stars Anna Goryachova (Carmen) and Francesco Meli (Don José). The event will be presented by Flora Willson. Following his success last Season with The Nose, Barrie Kosky returns to Covent Garden with a highly physical production of Carmen which was originally created for Frankfurt Opera. His is a far-from-traditional take on the classic, incorporating music written by Bizet for the score but not usually heard, and givi...
The Magic of Understanding Fabrice Mazliah invited me to collaborate with 'The Magic of Understanding' which he had been devising in Frankfurt when he was with Ballet Frankfurt under William Forsythe. We had a few very swift yet productive sessions and then performed a short run at Mousonturm, a small performance space in Frankfurt. Steve Teers put this edit together which I salvaged from a VHS I had. Fabrice Mazliah Creator and Choreography http://www.mamaza.net/mamaza_fabrice.html Michael Ormiston – Overtone Singing, Tibetan Singing Bowls, Tingshag, Jew's Harp, Prepared Chord Zither, Whirley Wand, Shawn, Pi-Saw and live electronics. http://www.soundtransformations.co.uk/ Regina Van Berkel - dance/performance http://www.delattredance.com/regina-van-berkel.html Andrea Tallis - dance...
Following select performances of In the Body of the World, audience members are invited to attend ‘Beyond the Stage’, a series of curated post-show discussions led by a group of artists, medical professionals, scholars and activists in support of the play. Talkback with Jill Johnson (Movement for In the Body of the World) on 1/30/18: Jill Johnson is the Director of Dance, Founder/Artistic Director of the Harvard Dance Project, Senior Lecturer, at Harvard University. Graduate, Canada’s National Ballet School; danced in over 50 tours on five continents; soloist, National Ballet of Canada; principal dancer in William Forsythe’s Frankfurt Ballet; stages Forsythe’s work worldwide, founding collaborator of The Movement Invention Project in New York; faculty and choreographed works for Princet...
Verdi. DIE SIZILIANISCHE VESPER ( I VESPRI SICILIANI ) (Sung in German) Orchestra – Radio Sinfonie Orchester Frankfurt Chorus – Chor des Hessischen Rundfunks Frankfurt, 1951 Director – Kurt Schröeder - ELENCO – Arrigo - Helge Roswaenge La Duchessa Elena - Maud Kunitz Guido di Monfort - Heinrich Schlusnus Giovanni da Procida - Otto von Rohr Il Sire De Bethune - August Heimpel Il Conte Vaudemont - Ludwig Welter Ninetta - Else Tegetthoff Danieli - Eugen Willmann Thibaut - Herbert Hess Robert – Sanders Schier Manfredo - Oskar Wittazschek ARGUMENTO. Lugar: Palermo, Italia Época: Mayo 1282 Duración total: 2h26’ ACTO I. Plaza mayor de Palermo. Duración: 30' ACTO II. Junto al mar. Duración: 29' ACTO III Escena I: Palacio de Montfort. Duración: 19’ Escena II: Un baile en el palacio de Montfo...
The Independent | 26 May 2018
Inquirer | 27 May 2018
The Independent | 26 May 2018
Inquirer | 27 May 2018