- published: 23 Apr 2015
- views: 16117
Full-length Artifact Part II. Choreography: William Forsythe Ballet Frankfurt, Sadler's Wells, London, 2001. Couples: Dana Caspersen / Fabrice Mazliah, Amy Raymond / Thierry Guiderdoni. Music: Chaconne in D Minor, Johann Sebastian Bach, played by Nathan Milstein.
Short excerpt from Artifact Part II. Choreography: William Forsythe Ballet Frankfurt, Sadler's Wells, London, 2001. Couples: Dana Caspersen / Fabrice Mazliah, Amy Raymond / Thierry Guiderdoni. Music: Chaconne in D Minor, Johann Sebastian Bach, played by Nathan Milstein.
some sections of the first act of William Forsythes Kammer/Kammer, which means room/room.Is a film being made live and there is nothing like seeing the show live. but well u get the idea. is very sensual and sad show about unrequited love. this is a performance when done on tour in antwerp belgium. the actors are dana casperson and myself, antony rizzi.
► Sub now: http://redirect.bundesliga.com/_bwBd There was a moment to put a smile on your face ahead of Eintracht Frankfurt’s game against Hertha Berlin. It almost looked like a ballet lesson when the referees went through their warm-up… The Official Bundesliga YouTube channel gives you access to clips from Germany's football league that you won't find anywhere else. Visit us at www.youtube.com/bundesliga to see what all the noise is about! Subscribe now! http://goo.gl/MuJEUZ - - For all the latest news please head to http://www.bundesliga.com!
a portion of Ballett Frankfurt's "In the Middle Somewhat Elevated" starting from the female improvisation line, lead couples pas de deux improvisations, big walking line with solo, into lead ladys (Laura Graham) solo.
www.cedarlakedance.com Choreography: Crystal Pite Costume Design: Nancy Haeyung Bae Lighting Design: Jim French Music: Owen Belton World premiere: January 31, 2012, by Cedar Lake, Maison de la Danse, Lyon, France. Program note: In "Grace Engine," Crystal Pite's latest work for Cedar Lake (Pite's "Ten Duets On A Theme of Rescue" premiered with the company in 2008), the choreographer continues her exploration of the familiar storylines that connect mankind. Pite positions and frames these narrative elements within her choreographic language. The human experience is a series of moments along a timeline. Although elastic, time is a powerful locomotive. It is this pressure and inevitability that propels Pite's creation. The dancing contains flashes of recognizable narrative, as if the body i...
Aufnahmen von der Parade der Kulturen 2016 in Frankfurt am Main. Vielen Dank an den Verein Puerta del Sol e.V.Frankfurt, , Stichting Panfluit, Niederlande, Ayni Bolivia, München, Amigos de Bolivia, Düsseldorf, Kantuta, Hamburg, Kantuta, Stuttgart, Grupo Boliviano, Dortmund, Ballet Intercultural Bolivia de Madrid, Baila Masi, Zürich, Pasion Andina, Berlin, Sonrisa Boliviana, Mannheim, Bolivia Unida, Bonn, Encanto Boliviano, Barcelona, Jatun Waira, Würzburg, Alma Latina, Niederlande. Ein Dankeschön an: die bolivianische Botschaft, Bolivianisches Honorarkonsulat Frankfurt, Bundesministerium für Familie, Senioren, Frauen und Jugend, Amt für multikulturelle Angelegenheiten, Frankfurter Jugendring, Paul -Hindemith Schule, Instituto Cervantes, Main Lateinamerika, alle Mitglieder, Freunde und Unte...
Canadian dancer/choreographer Crystal Pite and her company break out in the United States with her newest piece, Dark Matters. The title refers both to astrophysics and human impulses, exploring the idea of undetectable forces at work in cosmology. This stunning theatrical hybrid of puppetry and dance opens as a sinister fable in which an artist creates a puppet with fateful results, and culminates in electrifying contemporary ballet. Pite's choreographic language—edgy, gorgeously fluid—shows the influence of years dancing with William Forsythe's Ballet Frankfurt, but is seasoned with her own humor, intelligence, and intensity.
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